• Stereo 3D

  • VR360

  • Virtual Reality

  • Specialist Capture

  • Location Based Experiences

Vision3 are a leading immersive studio, connecting audiences to causes, engagement and brand awareness through active storytelling. Harnessing the creative benefits of emerging technology - we give audiences agency in crafting their own lasting and unique moments through Interactive Experiences for AR/VR/Mobile Devices, Digital Out Of Home activations, and Stereoscopic Feature Films and Large Screen Documentaries.

  • Stereo 3D

    Augmented Reality

    VR360

    Virtual Reality

    Location Based Experiences

    Capture Innovation

    Interactive Projection

    Specialist Capture

    Artificial Intelligence

    Macro/Micro

Drop In The Ocean

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Critical Distance

Social AR Experience | Created by Adam May and Chris Campkin for Microsoft Hololens 2

No Time to Die

Stereo Supervision by Chris Parks and 3D production and depth grade at Vision3

Gravity

Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.

My Africa

VR 360 Film | Shot in Kenya by Vision3's Chris Campkin with post production in Vision3's studio in London.

TT3D: Closer To The Edge

Stereo 3D | Stereo Supervision by Vision3's Chris Parks with Angus Cameron supervising the post production and delivery.

Virgin Media: Vivid House Party

VR360 | Shooting, direction and post production by Vision3 in collaboration with Jaunt VR with colour grade in our VR grading suite.

Land Rover: Above and Beyond

VR360 | Shot and post produced by Vision with specially designed camera rigs designed by Chris Campkin.

Mr Stink

Stereo 3D | Vision3 helmed the 3D with Chris Parks as stereo supervisor and Matt Smith as on set stereographer.

Song of The Sea

6DOF Virtual Reality | A ground breaking VR companion piece to the Oscar nominated animated feature of the same name. Angus Cameron was VR Supervisor for the project.

The Foundling

Stereo 3D | Commercial with stereo supervision by Chris Parks and on set stereography by Melissa Byers.

Giselle VR

VR360 | Angus Cameron supervised the stereo post production in Vision3's VR grading suite and stereo VFX pipeline.

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